Related Paintings of unknow artist :. | Study for Welch Mountain from West Compton, New Hampshire | napoleon vid rivoli | Wet Snow Auvergne | sylvius malning av exotiska besokarese | hippopotamus,flodhasten eller sjokon,som den ocksa kallades |
Related Artists:
Kuhn Walt
American cartoonist and painter, 1877-1949 was an American painter and was an organizer of the modern art Armory Show of 1913, which was the first of its genre in America. Kuhn was born in Brooklyn, New York City. At 15, Kuhn sold his first drawings to a magazine and signed his name ??Walt.?? In 1893, he enrolled in art classes at the Brooklyn Polytechnic Institute. In 1899, Kuhn set out for California with only $60 in his pocket. Upon his arriving in San Francisco, he became an illustrator for WASP Magazine. In 1901, Walt left for Paris, where he briefly studied art at the Acad??mie Colarossi before leaving to the Royal Academy in Munich. Once in the capital of Bavaria, he studied under Heinrich von Zugel (1850-1941), a member of the Barbizon School. In 1903, he returned to New York and was employed as an illustrator for local journals. In 1905, he held his first exhibition at the Salmagundi Club, establishing himself as both a cartoonist and a serious painter. In this same year, he completed his first illustrations for LIFE magazine. When the New York School of Art moved to Fort Lee, NJ in the summer of 1908, Kuhn joined the faculty.
Massimo Stanzione
(also called Stanzioni; c. 1586 - c. 1656) was an Italian Baroque painter, mainly active in Naples. Massimo Stanzione was an Italian Baroque painter. Born in Naples in 1586, Massimo was greatly influenced by Michelangelo Merisi da Caravaggio, but what earned him the nickname of The Neapolitan Guido Reni was his sophisticated and graceful style. The thing that distinguished Massimo art from Carravaggism was that he combined Caravaggio dramatically lit and brutally realistic style with the classical and lyrical manner of Bolognesi painters. Though his preliminary training is uncertain, it is thought that he studied with Fabrizio Santafede; however, most of the influence he received was from Caravaggio. Art historians believe that Stanzione developed his career as an artist in Rome. It is thought that he bagan his career as a portraitist. Some of his most famous works include Portrait of a Woman in Popular Costume, and Portrait of Jerome Banks. Between 1617 and 1630, it is believed that he traveled between the papal city and his hometown of Naples exploring different styles of art. Also influenced by Caravaggio were Artemisia Gentileschi, Simon Vouet, and Carlo Saraceni. During Stanzione career a movement that changed the style of art was formed. Stanzione was a part of this movement. This movement transformed the dark, contrasted Caravaggio-styled art into Bolognese colorism and soft art.
Franz von Lenbach
Shrobenhausen 1836-Munich 1904 German painter. The son of a master builder, he trained for his father's profession at the Kenigliche Landwirtschafts- und Gewerbeschule in Landshut, also working from 1851 in the sculpture studio of Anselm Sickinger (1807-73) in Munich. His elder brother, Karl August Lenbach (1828-47), had already become involved with painting, and it was through him that Franz Lenbach met Johann Baptist Hofner (1832-1913), an artist who had studied at the Akademie der Bildenden Kenste in Munich. They went on sketching expeditions together, and Hofner introduced him to plein-air painting. After spending two semesters at the Polytechnische Schule in Augsburg (1852-3), and some months in the studio of Albert Grefle (1807-89), a portrait painter in Munich, Lenbach entered the Akademie in Munich in 1854. In 1857 he attended the classes of Karl Theodor Piloty (later von Piloty), who was renowned for his history paintings. Lenbach produced his first important painting, the Angel Appearing to Hagar in the Desert (1858; destr.), while in this class, followed by Peasants Trying to Take Shelter from a Thunderstorm in a Chapel (1858; destr.; oil sketch, Schweinfurt, Samml. Schefer). The sale of this picture, together with a scholarship, enabled him to accompany Piloty on a journey to Rome with Ferdinand von Piloty (1828-95),